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Maurice returned home after a somewhat stormy interview with Mrs. Dallas. For once the mother of Isabella was roused out of her habitual indifference, and she refused absolutely to accept Alymer as her son-in-law. In vain the lovers implored her to give some reason for her strange refusal, but beyond expressing a personal dislike for Maurice she declined to explain her conduct. The young man saw in this uncalled for behavior the hostile influence of Dido. Miss Green, with a kindly glance at Patricia, puckered up her lips in the circle that only fat, soft-fleshed people can accomplish and laid the impartial finger on them as a sign that no more words were to be wasted, and the class, temporarily attentive to the newcomers, became absorbed again. "Don't keep me hanging on here in the dark too long," protested Patricia. "I'm worn to a bone already.".
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Conrad
"Me don't know what debble-stick is. I no touch him." "I'll learn what I can, at all events," retorted Jen; and in this unsatisfactory manner the conversation concluded. David retired to his room, and Jen went off to interview Isabella at The Wigwam. "You all know," Bruce went on, "that I have been trying an experiment of my favorite theory of art education, but very few of you know how it has progressed. And it is to show you the result that I have lured you here today—to crow over some of you, in fact. The canvas I am going to show you was designed, executed as far as it has gone, entirely by Miss Elinor Kendall, a student of hardly more than nine months' study. The subject is the 'Nativity' and it is designed for a chancel in a small church." "And condemn the poor girl to eternal misery," said Etwald. "Well, I do not agree with you. But, at least, keep silent until after our interview to-morrow.".
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